Fish Pond

I had to look something up on Google maps today. I’m not sure if everyone is the same way, but I find Google maps incredibly interesting, and the interest lingers far after I’ve found what I needed and its actually useful. I can spend hours studying the satellite images, scanning terrain and reading the names of places and towns. Probably like most people, I like to inspect places I used to live, places I’ve visited or hope to see someday.

I’m going in to a television studio tomorrow morning to do something, I’m not sure exactly what. I’ll fill you in when I get back. In any case, after I’d looked up directions, I started scrolling over the map. I like to test my geography skills, and rather than entering an address, I’ll try to scroll out to the full world view and then pinpoint the location on my own. Today, however, I went back to where I lived in England, and revisited some of my old haunts.

Near the little town of Tamworth in the West Midlands, there’s a small village called Hopwas. Someone I once knew lived there, and as I scrolled over the countryside, I began reading the names of the roads and hills and other landmarks. The was Hanging Wood, and Rookery Lane, places that evoke certain images and ideas. Was someone hung in those woods at some point in history? Did someone on that lane keep a rookery? But then I came across a little pond. It was near a tiny forest on the side of a hill, and according to Google, it was called “Fish Pond”. That name really struck me as idyllic.

Not in the way you might think, but in the way that it embodied the character, the spirit of the English people. Their culture, their history, their little country lives. This tiny little pond that was probably some farmer’s back yard, where his kids went to go fishing years and years ago. And now it is “Fish Pond”. It’s things like this, little flourishes that are so easy to overlook, that get me thinking. This little name is so telling of the English culture, of Western culture, of my culture. Such a small detail that reveals, at least to me, so much about a people.

I wondered then, what about other cultures? Was there some place in Iran named “Fish Pond”? Did some man there stand up from his labours one afternoon to watch his children run happily down the hillside to go splashing into a little pond? I scrolled over to Iran and began to look, but all the place names were in Arabic. I was a little disappointed, but I felt that if rolling green hills could tell me about the spirit of the English, then perhaps the terrain of Iran could tell me something about the nature of its people. It’s mostly desert as you might expect, except in the far north, with tiny villages and farms dotting the countryside. I stared at one village in the north called “Kashan” for quite some time, just trying to understand. It seems like there’s so much we don’t see everyday.

It’s easy to see only what’s presented to us on a daily basis, the external, the processed and condensed versions of life and reality. I don’t know if there’s an objective reality, but I would like to think that we’re all  human, and we all basically want the same things. I think we all have hopes and things we want from life, no matter how grand or humble, and that even the bravest of us is still scared at the end of the day of not mattering to anyone and of being forgotten and alone. But I feel hopeful that maybe there’s more than one Fish Pond out there. Maybe, somewhere in a distant country I’ve never been to and don’t really understand, there is a man who just wants to watch his family grow up and find happiness. That doesn’t really seem so hard for me to believe. Yet it’s the last thing you’d think of when you scan the headlines or flip on the television. I don’t really know how to end this, it’s sort of a vague thought. I just think it’s important to remember that we all want happiness, and that it’s such a simple thing to find, we just occasionally get lost along the way. If only we could all have our own Fish Pond.

Day by Day

As promised, a further update. I’ve not gotten nearly as far as I would have liked on my book the past few weeks, but this month has been a lot busier than usual. It’s fairly easy to let the days slip by, and the thought that one day doesn’t really make a difference adds up quite quickly. However, I’m only about ten thousand words from the pivotal moment of change in the story, which will wrap up the first book in the novel. My growing concern is that the work I’ve put into building the setting has dragged on too long already, and that every word is adding to something that’s already tedious.

so might I, standing on this pleasant lea, have glimpses that would make me less forlorn.

I’m currently reading “The Burning Land“, by Bernard Cornwell. He’s one of my favourite authors, and just about the only contemporary author I’ve encountered that I enjoy reading, aside from George R.R. Martin. However, one of the defining characteristics of his work, and the thing that makes it most enjoyable, is the pace. Action, plot development, and description are all blended seamlessly into one, allowing the reader a smooth transition from one part of the story to another.

After sixty pages, a major battle had already taken place, and the intrigue and character development was perfectly matched with the action so that there was no interruption in the flow. “Game of Thrones” does this very nicely as well, and reading these two books makes me trepidatious. I feel that my own work is bogged down by lots of character development and lengthy dialogue, without much happening. I’m 100 pages into the story at this point, and it’s all taken place over the course of a single day.

I have the damning need as a perfectionist to say everything, to explain every detail, to make everything fit. And that just doesn’t work. It’s boring! Voltaire said that to be a bore, you only need to say everything. Well, I feel like I’m on my way. Cornwell doesn’t have that problem at all. Granted, he’s written dozens of books and knows the drill. Days, weeks, months pass by in the space of a paragraph or so, and it all works.

As a reader, you don’t wonder what the characters were doing all that time, why so much time has passed, or what they’re thinking or occupying themselves with when you’re not there watching them. They do their thing, and you follow along, and it works. That’s my new writing goal: to integrate the transition of time into my story. I feel like the characters are like people: they’re always doing something, and I need to show it. But, like people, you don’t need to see what they’re doing all the time. If you miss someone having dinner, you haven’t missed much. It seems like a simple lesson, but it’s sure a hard one to learn.

A Little Update

Writing has been slow lately, summer is kicking off with bang. I’ll hopefully be able to offer a little lengthier update tonight, but for now, here’s a tidbit from my writing today: a thought from the main villain as he ponders in his lair.

“Men were afraid. They dressed in fine clothes and lived in shining cities to forget the terrors of the dark jungles their ancestors called home. But nothing could make them forget, not truly, and when the shadows grew long, and the creatures of the forest howled in the night, they remembered.”